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In 2000, the band released its third album, Under the Table and Dreaming II, an album that saw the band approach rock from a more contemporary perspective and incorporating more metal influences. The album saw the band return to its roots and return to its roots, which is in turn, the reason why it has never been as well-received as its first two albums. It was nominated for Best Contemporary Rock Album, though it lost to Soundtrack for the Summer by the Foo Fighters.
In 2002, the band was nominated for Best Pop Vocal Album. The following year, they were nominated for Best Rock Album for Amelia, which saw the band begin experimenting with the rock music they loved as teenagers. It also saw the band playing a more pop-oriented sound, with many songs seeing vocals from Tim Reynolds and one from former Stone Temple Pilots frontman Scott Weiland (whose mother, Kim Weiland, is a former member of the band).
In 1997, they released Under the Table and Dreaming, their first major label release. A bit of an uneven effort, it was full of acoustic ballads, and actually saw the band trying to compete with the likes of Pearl Jam in a far more commercial vein. But the album still saw a Grammy nomination for Best Rock Album.
Moving forward, Makaveli's fate became still more unclear. In October of 1998, Death Row announced that it had dropped the rapper.[4] Shortly thereafter, a robber attempted to steal Makaveli's turntable and crashed into a police car, causing the officer to shoot him. He died the next day.[5] Death Row's version of events has been challenged by the rapper's mother and his cousin, but the subsequent trial ended with the cops being cleared of any wrongdoing.[6] Either way, Makaveli was in a position to deliver, and the loss of a body of work that had been heralded as one of the greatest non-compilations in hip-hop history presented him with a problem: how could he possibly release more music as a corpse?
The group has released multiple live albums throughout its career. While always encouraging fan recordings of concerts for personal enjoyment, the success of the band led to the illegal sale of such recordings. Such copies were often very expensive and of low quality. To meet the demand of the illegal distribution of such recordings, the band released its first concert album, Live at Red Rocks 8.15.95, in October 1997.
For the entire month of April in 2015, we are offering our readers an ever-expanding collection of interviews with each album by The Doors from the band's first to their last, including rare photos and in-depth articles. Don't miss out on this opportunity.
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